January 28, 2013 § 4 Comments
This past weekend, The Instant Film Society hosted, what was more than likely, the largest gathering of instant film enthusiasts in the state of Texas. More than fifty photographers and lovers of instant film gathered at Makeshift Photography‘s studio in Deep Ellum to participate in a PolaWalk and also have their portraits taken on Impossible’s 8×10 film.
A couple of days before the event, I spent a little time with Steve Reeves, Troy Bradford & Tyler Tyndell at Steve’s studio to get some things organized for this. We met up to talk 8×10 photography, get things set in place for Saturday’s PolaWalk and tested out a few things before we parted ways for the night. While we were there, we decided it would probably be best if we went ahead and knocked out a couple of the portraits before we had the rush of people that we were expecting on Saturday. Tyler took some great BTS photos of our meet up that evening.
When I woke up on Saturday morning, I was excited beyond belief. I couldn’t wait to get into the studio to set up for this particular PolaWalk. We’ve hosted quite a few since the Instant Film Society was founded, but nothing up to this point, had been as highly anticipated as this particular event. The lure of 8×10 cameras and large format instant film was creating quite a buzz within the photography community. About two weeks ago, I shot 8×10 instant film for the first time and immediately fell in love with the medium. It’s simply incredible. There’s nothing else like it out there in the market place and it’s quite honestly a rarity in a sense. At this point in time, only one company makes it and because of the high cost of materials & tools needed, most photographers don’t ever get a chance to see it or use it. Giving that opportunity to the D/FW instant community was something I was really looking forward to helping provide.
When Synthia and I got to MakeShift Photography’s studio on the day of the PolaWalk, Steve & Erin were prepping for the event and all of us were eager to get things started. Friends of ours started to trickle into the studio and within an hour or so, we were all gearing up for a busy day. I had split the 8×10 photo shoots up into two groups so it wouldn’t be too incredibly busy while we worked and by the time 3 o’clock rolled around, the studio was packed. Steve had his Toyo View 8×10 set up on one side of the studio utilizing a “blackground” and I was set up on the other side with my Burke & James Grover shooting towards a blank wall. Erin was loading up the 8×10 Polaroid holders and running the processor all afternoon and Synthia was scanning the 8×10’s, peeling the images and hanging them up to dry. It was definitely a group effort to get this whole shabang running quickly & smoothly.
When most of the participants had arrived, Daniel Rodrigue took the first group out to walk around Deep Ellum while the rest of us stuck around to start with 8×10 portraits. It was such a cool thing to be able to give this opportunity to these fellow photographers. I assume most hadn’t seen an 8×10 camera before. Everyone it seemed was just in awe of the process and I could tell were all stoked to have the chance to learn about this special way of creating images.
All in all, I think we ended up taking about 25+ 8×10 images and the ones who were photographed were thrilled to have an instant 8×10 portrait of their own. Attached are some of my personal favorites from our time at the studio …
A couple of friends of mine, Daniel Poe & Matthew Hogan were there at this event and I did let them take over and rearrange the setup for their images. These guys are brilliant with off-camera flash and there was no way I was going to pass up an opportunity to watch them work. They quickly rearranged the octabox & stripboxes for their portraits and when I took the test images on the “digi-roid”, I knew they had crafted something nice …
Because I was in the studio all day, I never had the chance to go out and shoot with the rest of the group that was wandering around Deep Ellum. It was really cool to see all of the great images that flooded into my inbox on Sunday. Here’s a handful of images from the PolaWalk portion of this event …
I haven’t mentioned this on my blog yet, but I was interviewed last week by the local ABC news affiliate, WFAA – Channel 8, for a story they are doing on people who choose older forms of technology even when newer more advanced technologies are available. One of the reporters was with the group on Saturday to tape our PolaWalk and ended up interviewing a lot of the participants. After he recorded all of this great footage, Ryan came up to me and told me that they were probably going to do a separate story on our event in addition to the one I was going to be featured in. That’s exciting. It’s promotion for The Instant Film Society and more promotion for instant film in general.
I’m still a little stunned that we had around fifty photographers and instant film enthusiasts join us this past weekend. It’s a testament to the work we’ve been doing for months around the metroplex promoting instant film. On Sunday, when I created the new event page for our upcoming PolaWalk at Klyde Warren Park in February, within 24 hours, we had 30+ people who had signed up to join us. This special community of instant photographers is growing exponentially and I’m really excited to see how it will progress over the next year.
January 14, 2013 § 24 Comments
About a year ago, I was surfing the Craigslist photo ads here in Dallas and up came an ad for a free 8×10 view camera. I quickly emailed the person and within 15 minutes I received a message back. A gentlemen was moving out of town who had an old Burke & James Grover 8×10 that he had been meaning to restore & use but had never got around to it. He asked me if I was into large format and stated that he really wanted this camera to go to the right home. I enthusiastically conveyed to him that I was the right person and would eventually make my way up into the world of large format.
The Burke & James Grover is a utilitarian view camera that is meant to get the job done. It doesn’t have some of the bells & whistles that current 8×10’s have, but it works well, it’s pretty stable and for all intents and purposes, it was just what I had always wanted and needed.
When I arrived at the gentlemen’s home to pick it up, he had a few random camera accessories outside that he later told me was going to throw away on his porch. I looked at them in passing and then rang the door bell. When he greeted me, he was smiling while holding the Burke & James. This was the first time I had seen an 8×10 in person. It’s a pretty unique piece of equipment that’s been used for over a century in the world of photography. I can’t state just how excited I was to simply have the skeleton, if you will, of an 8×10. There was no lens, no 8×10 film holders, a busted lens board and frankly, the camera was pretty dusty. He stated that it had been in his garage for quite some time and he did not have the time to restore or use it. After about 20 minutes of photography small-talk, I thanked him emphatically for contacting me back. He chuckled and said “You know what? There were literally 15 to 20 emails about this 8×10 in 15 minutes. If you ever put “Free 8×10″ in an ad, you’d be surprised at how many respond to it.” I grinned a wide smile. “I bet.” I thanked him one last time and then made my exit.
I was on cloud nine. I had an 8×10. These things aren’t exactly cheap, and granted this thing isn’t the best 8×10 money can buy, but you know what? It was an 8×10 and more importantly, this 8×10 was going to get a lot of use … eventually.
When I got home and showed Synthia the newest acquisition, she was really shocked at the size of this thing and also a little nervous because she knows very well just how into things I can get. “How much is that thing going to cost to get up and running?” she said. “Ummmm .. well it’s not exactly going to be cheap. But, it’s not something I’m going to do tomorrow baby. It’s going to take some time to piece everything together that I’ll need for this.” This put her at ease a little bit and with the placement of the 8×10 on the top of a bookshelf, the notion of using this thing faded away.
A few months later, The Impossible Project announced that it was going to start making black & white 8×10 instant film. Whoa. At this point, I was shooting a lot of instant film and the dream of shooting instant film on 8×10 was just that .. a dream. There was no way I could get everything lined up to use this with instant film. It cost so much money and some of the required items needed (Polaroid 8×10 holder & the Polaroid 8×10 processor) were starting to go for astronomical prices on Ebay. On top of that, I didn’t have a lens and I still had a busted lens board. Oh well .. one day.
Months went by. My focus was on instant photography and eventually into promoting its use and helping others get into instant via the Instant Film Society. Some of you reading this might know that I’m a pretty persistent person and when I find things that truly strike a chord within me, I obsess over them and learn everything I can about it. That’s happened over the past 9 months with instant film and using Impossible’s film. I love it. In using and promoting this medium, I have come in contact with an amazing network of people that I would have otherwise never tapped into. I’ve met a slew of photographers, educators, enthusiasts and amateurs who all enjoy this form of art.
Slowly, things started falling into place. A friend of mine had some extra large format lenses laying around that weren’t getting any use, so I borrowed one of them and ordered a lens board on Ebay that fit the Burke & James. Also, maybe two months ago, I was buying film at Don’s Used Photo Equipment here in Dallas and on my way out, I noticed a Polaroid 8×10 Land Film Holder sitting on the shelf. I walked passed it and before I got to the door, I thought to myself “This is one of those serendipitous situations”. I walked back over to the 8×10 holder and asked the owner, Todd, what he was selling this for. He said “Man .. I have no idea. Make me an offer.” I gave him a number which he liked and then out of nowhere he said “You know .. I might have some Polaroid 8×10 in the back. Let me go see.” I started to get excited. About 5 minutes later he came back with an unmarked box and was smiling. “Let’s open this thing up and see what’s in it.” A pocket knife flipped open and within a few seconds 15 negatives & positives of Polaroid 809 revealed themselves. I asked him if it had been cold stored. It hadn’t, but I knew that he kept his place at a decent temperature for storage. After some debate and negotiating, we made a deal that I was very happy with. When I got back home, I was curious if the pods that held the developer paste had dried up in storage (always a risk with expired instant film). I opened up the cartridge that held the 15 positives and gently touched a pod. They were soft to the touch. The magical goop hadn’t hardened at all.
There was still one key thing needed; an 8×10 Polaroid processor. In order to develop Polaroid 8×10 film, you need a machine that runs the positive and negative side of the film through these giant rollers (either electronically or manually) to spread the developing paste in between them so the development process starts. Polaroid checked out of the instant market in 2008 and these machines hadn’t been made in years. Sure they are out there, but they are expensive. These processors are in high demand. When Impossible Project announced they were going to start making 8×10 instant film, the price of the processors skyrocketed during the following months, from under $100 on average to $500-1000+. Yikes. Not exactly cheap. When I got back home from Don’s, I started looking at instant images shot on 8×10 cameras and I stumbled upon a girl in town who had shot Impossible’s 8×10 test film. I messaged her up and told her about my interest in 8×10 and asked if she had access to a Polaroid processor. Annie was in school in Florida, and she did have a working processor, but wasn’t going to be back until Christmas.
Some time went by and I continually scoured the internet, looking for something that I could possibly pick up. Nothing. Everything was out of my budget and it seemed like the 8×10 instant photography dream would just have to wait. Then one day, while searching online, I found a guy in Kansas that was selling one. I emailed him, told him a little about myself and what I was doing here in Texas to promote instant film with the Instant Film Society. I asked if he would be interested in donating the processor so I could use it to help teach others about instant photography and help spread the love of instant. He messaged me back, told me that he wished that he could donate to such a worthy cause, but he really needed the money for it. Totally understandable. It was worth a shot. He did say however, that he was willing to work with me on it and would like to come to some sort of an agreement that was beneficial for both us. After some quick negotiating a happy medium was met and within a few days he shipped off the processor. I had him send it to my friend’s camera repair shop, just in case I wasn’t home to receive it, and when I got the call that it had arrived, I raced up there to go pick it up and test it out.
I ran inside and picked up the box. Uh oh. I could hear what sounded like small bits of plastic moving around. I opened up the box, which was packaged to perfection I might add, and pulled out the 8×10 Polaroid Processor. I flipped the cover open, turned some tabs and removed the rollers. Oh boy. Sitting before me were two rollers that were completely detached and busted from the roller assembly that holds them in place. This is not good. I called the gentlemen that I had purchased it from on the phone and within a few minutes we were discussing how this could have happened and what we were going to do. Well, at least I had a processor. Not a functional one at this moment, but I knew with a little bit of work, things would be OK. I called my friend Steve (who was introduced to me by Annie actually and also has an 8×10 processor) on the phone and he and I started brainstorming on what we could possibly do. He stated that I probably shouldn’t repackage it up and ship it back, because at this point, a) I had a processor b) I might be able to find a non-working processor to repair this one and have extra parts for later .. good point .. and c) maybe .. just maybe we could get some parts printed with a 3D printer or have them created from a mold made from parts out of his. Challenging but possible. I assume these processors haven’t had replacement parts made for them in YEARS. My options were limited.
After a little bit of time, it was looking like creating a 3D print was going to be the best place to start. Steve got in contact with some friends at Dallas Maker Space, an organization he’s involved with in town and started sharing some of the images of the broken part via email . The feedback he got was positive so we met on a Thursday night and enlisted the help from one of its members to create a 3D model and print. Mike was all about it. He jumped right to it, set up his 3D printer, a Maker Bot I believe and began taking measurements, creating a model on his computer and eventually, after about 4-5 hours of work, began printing the part that was needed. His level of expertise and knowledge were greatly appreciated. This sort of thing just doesn’t happen. Serendipity is a wonderful thing. Mike ended up working late in the evening on this, but after some time, he told us he needed to clean up the 3D model a little more. He worked on it over the weekend and suggested we have the part printed up professionally once the model was finished. At this point in time, I’m in limbo and hope that this works. *my fingers are crossed*
I had booked a shoot with Sarah Sellers that upcoming weekend and I can’t tell you how excited I was to finally shoot this stuff. Even with the shipping mishap, luckily Annie (who left to go back to school for the semester) left her processor with Steve & I so we could use it while she was away. If you’re reading this Annie .. THANK YOU AGAIN. I picked up the processor and knew I had to test out a shot or two before Sarah’s shoot. Friday rolled around and I decided to cruise up to my friend’s studio to test out an image (probably a good idea right?). I set up a handful of strobes with stripboxes and an octabox. I framed Synthia holding a camera, loaded the negative into the Polaroid 81-06 holder, double checked my focus with a loupe on the 8×10, slid the holder into place, removed the dark slide and tripped the shutter. I gently slid the darkslide back into the holder and removed it from the 8×10. Nervously, I placed a positive sheet (which has the developer pods at the top) into the 81-09 tray, slid the Polaroid negative holder into place and pressed the button. The processor grabbed the negative & the positive and smeared developer paste between the two as they whirred through the rollers. Now the longest four minute wait of my life …
I was practically jumping up and down freaking out! I was in awe of just how incredible this looked! After my excitement wore off (really it never did) I messaged Sarah up telling her how excited and anxious I was about her shoot. It was going to be, for lack of a better word, epic. Epic beyond belief. 8×10 …
Saturday rolled around and my brother Josh, who’s worked extensively with Sarah over the past year producing new songs with her with his engineering parter Brad, opened up the music studio they work out of and we shot a handful of images there. For all of these images, I used a three light setup with Alien Bees. If you’re interested in heavy technical details I can give them to you. Just send a message my way to firstname.lastname@example.org and I’ll be happy to pass the info along.
I shot 3 images in 3 hours and frankly, I don’t ever want to create images in any other form or fashion again. I feel that using this 8×10 camera has spoiled me. There’s absolutely nothing like large format photography. I’m hooked …
Following Saturday’s shoot, we met back up on Sunday at a photography studio in Richardson to shoot some more material. This time around I wanted to capture a really good close-up of Sarah, a full length shot and of course anything else that came to mind. When she arrived, I set up a beauty dish and a couple of strip boxes and set the 8×10 up.
This time around, because of how close I had to focus, the bellows was extended waaaaay out. I think the bellows extension factor ended up being about a stop and a half if not a little more (thanks for the tip Mat Marrash). Nervously, I slipped the holder into place, held my breath, hoped that Sarah hadn’t rocked too far back or forward and tripped the shutter.
Sweet! Another successful image. Phew! Shooting this stuff isn’t exactly easy and it definitely makes you think about everything .. i mean EVERYTHING when shooting each image. It’s just a little bit stressful, but I’m OK with that. I set up the lights for a full length shot and Sarah got changed into another outfit. Admittedly, the first image I took in this scene was about a stop under-exposed (I had a hunch but didn’t listen to myself .. I’ll listen next time). I loaded up another image and tried one more time. Bam.
By this time, we had probably spent a good 2-3 hours in the studio setting up lights and arranging things so they were just right. Out of all the images taken, I had yet to take an image outdoors. Synthia had a great idea and asked what it would look like if Sarah held the close up we had taken earlier in front of her face for an image. Brilliant. I am a fan of picture in picture images. Why not take a picture in picture with Impossible’s 8×10 PQ?
We set up outdoors in the alleyway (it was so cold!) and I snapped this image of Sarah ..
It was getting close to sunset, so we decided to take a break and would meet back up in an hour to take another image. For this image, which ended up being the final one of the day, I wanted to shoot a silhouette of Sarah’s profile using a two light setup. I set up a speedlight behind her with a reflector around it to create a circular shape on the wall and then set up a strobe with a stripbox to shine a little bit of light on her face. Once it was metered out and she was in the right position, you guessed it, I did the 8×10 Polaroid shuffle and waited with Sarah as the image developed.
My thoughts on this film? Challenging, elegant and unforgiving. There are so many variables that you have to think of and be aware of when shooting 8×10 instant film. It really tests your skills. This stuff isn’t child’s play. I can’t stress enough just how stressful it can be to shoot, but are the results worth it? Absolutely. The experience of shooting Impossible’s 8×10 instant film are unlike any other that you will have. It creates a special bond between the photographer and the person being shot. You know that all of the work put into each image will create something unique .. something beautiful. When you shoot 8×10 instant film, you’re not just creating a photograph .. you’re creating a tangible, analog work of art.
What’s next in my journey with 8×10? Sharing this experience with others. On January 26th, I’m hosting a PolaWalk in Dallas, TX with the Instant Film Society. If you’re in the area and would like to witness this process in action, you’re more than welcome to join us. We’ll be shooting 8×10 instant images of the participants of the walk at the cost of film (hopefully we’ll have enough). If you’d like more information, click here.
Thank you Impossible for bringing back this legendary film format. Keep doing what you’re doing …
PS – Sarah Sellers, thank you for trusting me to shoot these images with you. Synthia and I had such a great time. It was a weekend we will NEVER forget.