September 30, 2012 § 6 Comments
Phew! I’m sitting at my desk right now, 3 hours after my arrival back home, and I can’t help but to keep grinning at all of the things that happened today. What an amazing experience. I can’t begin to stress how great it was, to see such happy pepole on a day like today. On any other day, we probably would have been miserable! The non-stop rain .. the endless, torrential downpour that pummeled the group today … But you know what? EVERYBODY was smiling. Not one person was unhappy about making the trek out to the fair to meet fellow instant photographers. I say it all the time, but it’s incredible the type of people that this medium attracts.
My day began, with knowing that it would be wet … REALLY wet today. The forecast was 80%-90% rain throughout the duration of the day with thunderstorms likely ALL day. What do you do, when you’ve organized an event and promoted it for a month. Do you abandon ship? No. You go through with it as planned and hope for the best. I can’t stress enough, that “the best” did occur.
Synthia and I left the house at noon, so we could make our way down to the Texas State Fair and grab a Fletcher’s corny dog before we hooked up with everybody else. Parking was fairly easy (plenty of spaces) and of course, there weren’t the usual crowds that normally accompany the fair’s 2nd day. We made our way in and I snapped off a couple of photos as we made our way towards Big Tex.
Daniel R. and Catherine met up with us first and they were both smiling. They rain hadn’t affected their moods in the slightest (i wouldn’t have thought so, they are really kind & cool people). After some chuckles and small talk, a fellow photographer I met online, Richard, made his way towards our group and introduced himself. He jumped in with both feet; pulled out his cameras, started gabbing photography, it was greatness! It seemed like he was really happy to be around other instant photographers. Unfortunately, for whatever reason, he had to split early and didn’t end up hanging out with us. Hopefully he can make it out to the next event that gets organized. Before, he left I snapped a quick picture of him with his 680 SLR …
At this point, Christian & Elaine showed and were grinning from ear to ear as well. Christian helped promote this event and it was definitely appreciated. He mentioned that he had been so excited about this event that he could hardly sleep. Truth be told, I had been tossing and turning most of the week. A few minutes later, Jeremy & Amber showed up. I introduced them to everyone, passed off one of the Spectras I brought for them, and got them up to speed on the ins and outs of the camera. One of Daniel R’s students arrived, Adriana, and all of us introduced ourselves to her. She walked up holding this super cool pink, black and yellow neon Polaroid Cool Cam. It looked awesome! We waited around a little while longer for two more guys that I had met online; Daniel P. & Matthew. They drove in from Tyler and once they arrived, they were already soaked, but again nothing but smiles. I handed Daniel a Polaroid Automatic 100 with a few packs of FP-100C that I had promised him and we quickly organized a group photo.
Daniel R. spotted an interesting looking character walking towards a streamliner that was parked near Big Tex and asked him if he could take his photo. The moment I saw the guy, I knew it was “the voice of Big Tex”. I ran over there with my camera and once Daniel was done shooting this image on his Instax …
I snapped off a quick triptych on the SX-70 .. .
– CLICK IMAGE FOR LARGER SIZE –
We all snapped off a few more photos, while we waited around a little while longer for any stragglers …
Then we started making our way towards The Midway area and commenced burning some film!
The rain was relentless! It just wouldn’t stop. I’m still in awe, that all of these people came out in such high spirits, despite the rain. Nothing was going to stop this group!! Rain?!? Pshaw!! Whatevs! After a while, we decided to make our way into the Food Court to dry off a little bit, relax and get to know each other a little more.
For Synthia and I, this was the first time we had met most of these people. I’m usually not the type to go out and seek the company of strangers for events, and for that matter, I really don’t like talking to strangers. It’s funny. My passion for using instant film is helping me turn a new leaf in my life. Many of you have never met me, and don’t know that I stutter. Sometimes it can get the best of me, but most of the time, it’s not that big of a deal. Sure, it doesn’t define me, but it has shaped me into the person that I am. For a guy like me, meeting strangers and talking to new people is a thing that I try and avoid most of the time. When I started thinking about hosting this PolaWalk, I knew that I would killing a few birds with one stone: 1) I’d get an opportunity to “break the mold” so to speak, and get out there and meet strangers and force myself over this hump. 2) I’d get the chance to spread the love of Impossible to other shooters. And 3) I’d be able to make new friends in the area that share the love that I feel for photography. All in all, it was a winning idea all around.
Anyhow, at this point Jeremy, Amber, Synthia and Adriana all had to bolt. So we packed up our things and made our way back outside. We started walking along and WHOOMFFF!! A huge gust of wind ripped apart my umbrella, haha! It was hilarious! Daniel R. snapped a quick pick while everybody was laughing. Later on, Amber wrote something about it being an UNbrella. Very fitting Amber …
We headed indoors to the petting zoo. Walked around a little while and eventually made our way back outside.
Most of us were pretty tired and fairly soaked (COMPLETELY) so we decided to call it a day. We all parted ways and made our way out of the park. I snapped a couple of images on the way out, but by this time it really started pouring some heavy rain. I had no umbrel … UNbrella at this point, so I got even more soaked! Luckily, I had some plastic bags in my backpack and saved my gear & film from getting completely drenched.
Overall, an incredible experience! I can’t wait to schedule more of these around the metroplex and help spread the word about the greatness that is Impossible Project film. If you are interested in learning more about this medium, please get in touch with me. I’m an open door and would love to help you get into this medium. There’s nothing better for personal photography. Even more so, it’s a fantastic medium for the professional photographer. Offering this sort of “out of the box” photography is giving your clients something you can’t get anywhere else. There’s only ONE company making integral film. Get off your butts and support them! Doing so, gives the gift of “the polaroid” back to this generation and hopefully the next.
September 18, 2012 § 1 Comment
– September 29th, 2012 @ 2PM –
Come to the fair with us wielding your Polaroid!!! If you’ve got an instant camera and would like to join in on the festivities, get in contact with me!
The fun starts at 2PM sharp! We’re meeting up at Big Tex. We’ll introduce ourselves to each other and then once we’ve assimilated a massive crowd of instant photography shooters, we’ll storm the fair! Not since the heyday of Polaroid has the Texas State Fair seen a group like this! Integral film will be firing out of our cameras faster than … well as fast as our pocket books will let us 😉
GET OFF YOUR RUMPS AND COME SHOOT SOME POLAROIDS! If you’ve never shot with a Polaroid before (heaven forbid), and would like to, please please PLEASE send a message my way. I am more than happy to help anybody & everybody that has an interest in using this medium. If you’re interested in shooting Impossible Project film with your SX-70, Spectra or 600 series camera, I can help you jump in with both feet! I will teach you all of the ins and outs of shooting Impossible’s films, or any other instant film for that matter, and will gladly assist you in any way I can, on the day of!
If you’ve been following my blog, you’re probably aware of The Impossible Project. They are the only providers of integral instant film for old-school Polaroid cameras. Since their inception a few years ago, they have been working hard at perfecting their product for their customers. Just today, they announced their newest batch of film, the Color Protection line. Because of a newly developed anti-opacification molecule, it gives instant photographers the freedom to shoot wherever they like, without having to fret about shielding the image upon ejection.
Now is the PERFECT time to step into the world of instant photography. With Impossible’s new line of films, the results are more predictable than ever and you can almost shoot this stuff as carefree, as one did with the older line of Polaroid films.
YES. It does cost money to shoot. It won’t be like shooting with your grandmother’s Canon 5D mark whatever which bangs out a kajillion digital images. You have to embrace the unexpected realities and possibilities when you use instant film. The results ARE WORTH IT. Instead of a digital file made up of 1’s and 0’s on a SD or CF card, you get a tangible analog print in your hand; a permanent memory of the day. Is that worth the cost? Absolutely. You’ve got the best of both the analog & digital world; an analog print to slap up on your fridge and an image that can be easily scanned for reproductions and to share online.
It’s so worth it!
If you have ANY QUESTIONS whatsoever regarding this event, please send a message to firstname.lastname@example.org
I’m hoping we can make this event HUGE! Please pass the word along to fellow photographers that have an interest in film & instant photography. We are the lifeline of this medium and must help keep it alive for future generations.
Now, back to the film photographer’s grind (scanning images). I have to pay for all of this instant film somehow 😉
To learn more about Impossible’s NEW line of instant film CLICK HERE
September 18, 2012 § 6 Comments
Last weekend, Synthia and I went to the ranch to photograph Erica Perry’s bridal & promo photos. When we were finished, we headed up to Synthia’s parents house to celebrate her niece’s b-day. While we were visiting, her mom told us that she had an old 35mm camera at the dentist office that she wanted to give us. The three of us cruised up the road and rummaged around the attic and found the camera; a Yashica inter-oral macro camera. The lens has an inner ring flash and is fixed to the body (pretty cool, needs an odd battery). While we were up there, Synthia’s mom mentioned that they might have an old Polaroid too. She went searching through some boxes and dug up a Polaroid Macro 5 SLR. I quickly figured out that this could use Impossible’s Spectra film.
The excitement was buzzing through me! Macros with a Polaroid??? I’d probably seen one of these in the past, but I’d never realized what it could do. With a SX-70, the closest you can focus is 10 inches. Being able to focus closer, provides a whole new realm of creativity to dive into.
When I got back home, I searched online and found the Polaroid Macro 5’s manual. There are 5 different distances in which you can focus the camera; 52, 26, 10, 5 and 3 inches. You press the shutter down 1/2 way and it emits two dots of light from the camera. As you bring the image into focus, the dots intersect and overlap each other; a dual-light rangefinder. There are two flashes on either side of the lens (which you can toggle on & off separately) and there’s also an external PC port on the camera, so you can slave flashes off-camera.
For those that are going to try any off-camera flash photography, you’ll find the following chart useful. You should note, that the Polaroid Macro 5 has a fixed shutter speed of 1/50th. For proper exposures using off-camera flash, you’ll need to use a handheld flash meter to figure out the right output for your strobes/flashes.
The first image I shot, cliche yes, was of Synthia’s eye. I wanted to get a feel for just how close this thing could focus. I set the Macro 5 to focus at its closest distance (3 inches), kept the exposure at neutral with the flashes on, and snapped the photo.
Later on, I went to Archinal Camera to show my friend Robert the newest acquisition. He’s got a TON of old cameras on a shelf above his desk. I grabbed an old Kodak camera and snapped another macro for the blog.
Afterwards, I went to my brother’s house and snapped a photo of Edie (my niece). She was hanging out under the kitchen table. I set the focus to 26 inches and started rocking back & forth until she was in focus. She wasn’t too fond of the focusing lights. When the image developed, I noticed a time stamp on top of the photo. I pressed the Mode button on the back until “– — —-” showed up, hoping it would turn off that feature. It did.
What about its off camera flash capabilities?? I set up a Nikon SB-600, set at 1/16th power, about 3 inches away from a dead fly I found. I figured, why not? I set the camera to its closest focusing distance (3 inches) and hooked up some Pocket Wizards. I turned the Macro 5’s internal flashes off and fired a photo.
As stated in the Macro 5’s manual, “Test exposures may be required to determine the correct location and settings for the auxiliary flash unit for correct exposure”. That’s definitely the case. My Sekonic L-358 can only meter up to f/90. I was guesstimating the right output on the SB-600 and the exposure is overexposed. Regardless of the outcome of this photo, it’s pretty nice that you CAN use slaved flashes if you want to venture down that path.
One more test shot with slaved flashes. This time I used a SB-600 & SB-800 and cross lit my Leica M2. I set the focusing distance to 10 inches and tested the flash output with the L-358. It was sitting around f/51-57.
Phew! Talk about a tough camera to shoot with off-camera flash! With a fixed shutter speed of 1/50th and also dealing with an aperture range of f/20 – f/100, it certainly makes it challenging. Now, I haven’t given up on its capabilities yet, however, I think I’ll save this thing for the next time I’m at the Dallas Arboretum. I would imagine this thing would be great for flower & insect macros.
Thanks for reading!
PS – Impossible Project has just announced their newest batch of film. To learn more about the latest advancements CLICK HERE.
September 11, 2012 § 4 Comments
This past weekend, Synthia and I photographed Erica Perry at one of our favorite places; Buzzard’s Paradise. Erica is a super-talented country singer that has been performing around the metroplex for a few years. We’ve worked with her in the past on various projects which included some promo material for her EP, some images of her band and also some engagement photography.
This time around we shot her bridals and some new promotional photos for her. We figured that our friend’s ranch, Buzzard’s Paradise, was the perfect setting for these images. Of course, I can’t share the bridal photos now, but I can share some of the other photos we shot. A good friend of mine just recently let me borrow his Hasselblad 503CW with an 80mm & 50mm lens, so naturally, I used the hell out of that bad boy on this day. I also used some Impossible Project PX-70 COOL with a Polaroid SX-70.
A few images from this shoot …
Erica just recently made it to the top 24 of The CW’s The Next television show and this Thursday (9/13), the Dallas episode airs at 8PM. From what I understand, once the producers of The Next whittled down the competition to 24, they toured around to 6 cities to listen to the remaining contestants. Each of the cities had the audience vote and the winner of that particular city is announced when the show airs.
Of course, myself and everybody else I know hopes she wins and makes it to the next round, BUT if she doesn’t, there’s still a chance for her to make it to the finals. You can vote her into the wild card spot on September 20th.
Help support a local rising artist and watch The Next this Thursday night at 8pm! We’re keeping our fingers crossed!!
September 4, 2012 § 6 Comments
Round three! Impossible improved on its previous version of PX-680 opacification test film and offered another batch to their pioneers to test. This time around, I picked up as many as I could (4 packs).
Luckily, a couple weeks ago, I had picked up a ND4 filter. I don’t have a 680 and/or 690 so this filter was going to come in VERY handy. For any non-photogs reading this, a ND4 filter reduces the amount of light that hits the film by a measurement of “2 stops”. When using a SX-70, a camera optimized for 100 speed film, a ND4 is necessary in order to get proper exposures with 600 speed film. You still have to underexpose, BUT it makes using PX-680 in a SX-70 do-able.
After the four packs of test film arrived, I loaded up the SX-70 and waited on an opportune time to head outside to snap some test images. After dinner, Synthia and I decided to walk around part of White Rock Lake. Killing two birds with one stone; a little bit of exercise & an opportunity to grab a frame …
I used the ND4 filter and cranked the exposure down 2/3’rds of the way. Trusting the ‘black paste’, I ejected it without shielding it, and tucked it away in my bag.
NOTE: When using a ND4 filter with PX-680 film in a SX-70, be aware that the camera is metering for 100 speed film. Exposures might be a little on the long side depending on where and what you are shooting. You’ll see examples of softer images in this blog post. DO NOT think for one second, that PX-680 isn’t sharp. It’s ridiculously crisp.
The following afternoon, I burned a few images on my buddy Mike Hawkins; a brilliant guy & solid friend. He’s been living in Alaska for the past year and just recently got accepted into the Peace Corps. He’s in town for a month before he makes his way out to Vanuatu (between Papa New Guinea & Fiji) to go teach English. Ya .. he’s one of those people 😉
I figured a triptych would suit him well. Hawkins-style; headband, RayBans, some old plaid shirt and his Nalgene. Word.
– Click the image for a larger size –
Later on that evening, Synthia and I went to my grandparents for dinner. When we arrived, it was nearing sunset, so I grabbed the two of them and snapped a couple of photos before it was too dark. You should have seen their faces. They lit up when the image came out of the SX-70. “A Polaroid!!!” Yes, Mema & Papa. That’s how I roll.
That weekend, my wife and I shot a wedding in Carrollton, TX. For almost all of the Impossible images I shot, I used PX-70 COOL, but for one image, I used this test film. There was an elderly couple, that had just finished dancing and I grabbed a quick pic of them as they were walking off the dance floor. I used the MINT flash bar and had it set, as suggested, at 1/2 power. I showed their son the image later on and he was ecstatic that I was going to give the bride & groom a stack of ‘polaroids’ that included this one …
A few days later, I went out to play some disc golf with Hawkins. I snapped one image while we were there. It was nearing twilight, so the light was fading quickly. The exposure was nearly a 1/3 – 1/2 of a second.
Later on during the week, I stopped by our local neighborhood convenient store to grab a drink. I’ve been going here for a good 15+ years and the owners are super friendly. Ryan, the one I seem to talk to the most was working this particular afternoon. As I was paying for my drink, I asked him if he would mind if I took a photo of him with this new test film I had. He smiled and said “Of course!” We stepped outside and I had him sit on the curb in front of the store. Because were we pretty deep in the shade, the exposure was a little long (maybe 1/10th).
After I snapped his photo, I took a quick snapshot of their sign (ND4 & -2/3rd’s). I ejected the film, without shielding it, in direct sunlight. I cruised back up there later on and gave Ryan the images I took. I figured he & his family would appreciate them.
Overall .. WOW! A huuuuuuuuge improvement in the color, compared to the PX-680 V4B that I tested out a month ago. ALL OF THESE images were shot without being shielded, upon ejection. The anti-opacification molecule is working wonders. Granted, if you don’t want a vintage look like the image above has, you might want to shield in direct sunlight. However, having that look as an option just gives you more creative flexibility on the spot. How cool is that?
The only thing I’m wondering is, upon the release of these new films, how long will it be before Impossible reveals the camera they have been working on?